The Broadway revival of Chicago shattered its own financial records during the week ending March 15, pulling in $1,457,931—the production's highest single-week earnings across its nearly three-decade run. This milestone surpassed the musical's previous peak of $1,452,009, which was achieved during a nine-performance holiday week in 2023.

The surge in ticket sales coincides with Whitney Leavitt's debut as Roxie Hart. Since joining the cast in February, the reality television personality from The Mormon Wives has driven unprecedented box office momentum. Her initial six-week engagement generated $8,049,526, establishing a new benchmark for any comparable period at the Ambassador Theatre since the revival launched.

Leavitt is currently on a scheduled break but will return to the production on March 23, continuing her run through May 3.

Meanwhile, another Broadway production made a strong entrance last week. Dog Day Afternoon, Stephen Adly Guirgis' theatrical reimagining of Sidney Lumet's 1975 crime drama, kicked off its preview performances with impressive results. The show, featuring Jon Bernthal and Ebon Moss-Bachrach in leading roles, attracted capacity crowds with standing-room-only attendance across all six preview performances. The production earned $1,059,380 during its opening week.

Directed by Rupert Goold, Dog Day Afternoon brings the story of two Brooklyn bank robbers to the August Wilson Theatre stage. Bernthal takes on the role of Sonny, originally portrayed by Al Pacino in the film, while Moss-Bachrach plays Sal, the character John Cazale made memorable on screen. The official opening is scheduled for March 30.

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The Broadway scene witnessed impressive debuts and strong performances during the week ending March 15. John Lithgow's portrayal of Roald Dahl in Mark Rosenblatt's Giant at the Music Box Theatre proved remarkably successful, capturing 96% capacity across its initial five preview performances and generating $755,021 in revenue. The production is scheduled to officially open on March 23.

Joe Mantello's reimagining of Arthur Miller's Death of a Salesman reached a significant milestone at the Winter Garden Theatre, crossing the million-dollar threshold with $1,029,385 during its first complete eight-preview week. The revival, featuring Nathan Lane, Laurie Metcalf, Christopher Abbott, and Ben Ahlers, achieved 95% capacity. Its official opening is set for April 9.

Daniel Radcliffe's Every Brilliant Thing at the Hudson Theatre made a spectacular entrance, completely selling out all eight performances—four previews and four regular shows—accumulating $1,107,769 in ticket sales. The solo production received enthusiastic critical acclaim.

Several productions achieved complete sell-out status: Hadestown, Hamilton, Harry Potter and the Cursed Child, Just in Time, Ragtime, and The Outsiders. Nearly matching this success with 95% or higher capacity were Buena Vista Social Club, Moulin Rouge!, Operation Mincemeat, Stranger Things: The First Shadow, and Wicked.

Harry Potter and the Cursed Child led weekly earnings with $2,507,137, followed by Hamilton at $2,117,785, Wicked with $1,723,376, The Lion King earning $1,718,742, and Just in Time bringing in $1,680,864.

Broadway's 28 productions collectively generated $32,759,044, representing a 17% increase from the prior week and 16% growth compared to the same period last season. Attendance reached 253,822 patrons, marking a 6% weekly increase and 7% year-over-year growth.

Through 42 weeks of the 2025-26 season, Broadway has accumulated $1,512,598,018 in gross revenue—approximately 7% above last year's figures—with total attendance of 11,372,612, up 3% from the previous season.

Data provided by the Broadway League, with additional information available on their official website.

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